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	<title>Comments on: Short Stories, Publications, Limitations</title>
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	<description>Occasional text by Ian Macleod, often lacking context.</description>
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		<title>By: Colin</title>
		<link>http://www.ianmacleod.net/2007/04/17/short-stories-publications-limitations/comment-page-1/#comment-456</link>
		<dc:creator>Colin</dc:creator>
		<pubDate>Wed, 18 Apr 2007 18:03:53 +0000</pubDate>
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		<description>Dead on. Witness: the new Delillo story in last week&#039;s New Yorker. It&#039;s like a parody of his own work and the crap that the New Yorker always publishes. Self indulgent and only worthwhile as a lesser work of a great artist. It&#039;s well written, but it falls short of being profound depsite the subject matter (9/11). And the problem is entirely that it is too short. There&#039;s no time to develop a real story, or delve into the characters, or launch into one of those extended cultural assessment monologues that Delillo does so well. This is a guy who writes a mean novella (read &#039;The Body Artist&#039; if you haven&#039;t yet). All I can do is hope that this is one of those things that&#039;s actually an excerpt from a forthcoming bigger book.

In your discussion of the novella, don&#039;t knock the big fat novel. I know you like to do this, but I will defend the 1000 page monstrosities to the bitter, bitter end.</description>
		<content:encoded><![CDATA[<p>Dead on. Witness: the new Delillo story in last week&#8217;s New Yorker. It&#8217;s like a parody of his own work and the crap that the New Yorker always publishes. Self indulgent and only worthwhile as a lesser work of a great artist. It&#8217;s well written, but it falls short of being profound depsite the subject matter (9/11). And the problem is entirely that it is too short. There&#8217;s no time to develop a real story, or delve into the characters, or launch into one of those extended cultural assessment monologues that Delillo does so well. This is a guy who writes a mean novella (read &#8216;The Body Artist&#8217; if you haven&#8217;t yet). All I can do is hope that this is one of those things that&#8217;s actually an excerpt from a forthcoming bigger book.</p>
<p>In your discussion of the novella, don&#8217;t knock the big fat novel. I know you like to do this, but I will defend the 1000 page monstrosities to the bitter, bitter end.</p>
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		<title>By: Dani</title>
		<link>http://www.ianmacleod.net/2007/04/17/short-stories-publications-limitations/comment-page-1/#comment-455</link>
		<dc:creator>Dani</dc:creator>
		<pubDate>Tue, 17 Apr 2007 23:07:12 +0000</pubDate>
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		<description>Hi there...I don&#039;t usually comment on these things but I couldn&#039;t resist.  Honestly I think a lot of short stories suffer in the plot department (or lack thereof).  I&#039;d rather read a ridiculous, madcap, b-movie-equivalent, implausibly plotted short story than some of the meditative just-sit-there stuff that seems to somehow be in vogue.  Character sits there, thinks for a while, even thinks some really provocative, interesting thoughts (or, yes, thoughts about their budding sexuality...good point!), but at the end she/he is still sitting there.  Dull as all hell.  

Maybe there should be a general rule that if your character hasn&#039;t moved 5 feet by the end of the story, it&#039;s just not a short story.  Unless your main character is a slug.  Or a tortoise.  

Or maybe sexuality should never enter into it unless the main character is over 13 and said sexuality is barely-contained and exists in a fiercely blazing love triangle between two bodice-ripping Fabio-clones on the Scottish highlands and a bodice-ripped, buxom lass with flowing scarlet hair.  And it would be called &quot;Devil in a Kilt.&quot;  *lost in thought*

Ummmm....anyway....I just think short story writers need to stop writing to get a point across (that&#039;s what essays are for, people) and leave out anything they would say in therapy and just try to write a few plot points together.  

OK.  That&#039;s all.  Nice blog, by the way.</description>
		<content:encoded><![CDATA[<p>Hi there&#8230;I don&#8217;t usually comment on these things but I couldn&#8217;t resist.  Honestly I think a lot of short stories suffer in the plot department (or lack thereof).  I&#8217;d rather read a ridiculous, madcap, b-movie-equivalent, implausibly plotted short story than some of the meditative just-sit-there stuff that seems to somehow be in vogue.  Character sits there, thinks for a while, even thinks some really provocative, interesting thoughts (or, yes, thoughts about their budding sexuality&#8230;good point!), but at the end she/he is still sitting there.  Dull as all hell.  </p>
<p>Maybe there should be a general rule that if your character hasn&#8217;t moved 5 feet by the end of the story, it&#8217;s just not a short story.  Unless your main character is a slug.  Or a tortoise.  </p>
<p>Or maybe sexuality should never enter into it unless the main character is over 13 and said sexuality is barely-contained and exists in a fiercely blazing love triangle between two bodice-ripping Fabio-clones on the Scottish highlands and a bodice-ripped, buxom lass with flowing scarlet hair.  And it would be called &#8220;Devil in a Kilt.&#8221;  *lost in thought*</p>
<p>Ummmm&#8230;.anyway&#8230;.I just think short story writers need to stop writing to get a point across (that&#8217;s what essays are for, people) and leave out anything they would say in therapy and just try to write a few plot points together.  </p>
<p>OK.  That&#8217;s all.  Nice blog, by the way.</p>
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